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| | Composer: Siepmann, Jeremy, Beethoven, Ludwig van |
| | Symphony No. 6 in F major, Op. 68, "Pastoral": I. Awakening
of Cheerful Feelings on Arriving in the Country | 51:46 | |
| | 01 | On Beethoven's Openings | 01:26 | $ 0.14 | USD | |
| | 02 | Opening phrase of the 'Pastoral': ood, Symbolism and Musical
Function | 01:44 | $ 0.17 | USD | |
| | 03 | Musical Acorns: the outline of melody; the shape of a
question | 00:42 | $ 0.07 | USD | |
| | 04 | The 'question' in the 'Pastoral' repeated... | 00:04 | $ 0.01 | USD | |
| | 05 | ...and answered | 00:12 | $ 0.02 | USD | |
| | 06 | The opening phrase ends on a note full of pregnant
expectation | 00:19 | $ 0.03 | USD | |
| | 07 | Starting with a stop | 00:36 | $ 0.06 | USD | |
| | 08 | The rhythmic profile of the opening phrase; a two-part
construction | 00:52 | $ 0.09 | USD | |
| | 09 | Phrase One, Part One | 00:09 | $ 0.02 | USD | |
| | 10 | Phrase One, Part Two | 00:06 | $ 0.01 | USD | |
| | 11 | The properties of rhythmic ambiguity; the 'question' of
Phrase One answered | 01:03 | $ 0.11 | USD | |
| | 12 | Phrase Two: from meander to march | 00:27 | $ 0.05 | USD | |
| | 13 | The makings of a conversation: contrast and variation | 00:47 | $ 0.08 | USD | |
| | 14 | Repetition as a major factor, but it's never mere
repetition; each time something new is added | 00:33 | $ 0.06 | USD | |
| | 15 | From soft to loud and back again; instrumental enrichment
from horns and double-basses | 00:18 | $ 0.03 | USD | |
| | 16 | Mega-repetition: violins play exactly the same little
fragment ten times in a row | 00:29 | $ 0.05 | USD | |
| | 17 | But no two repetitions are quite the same; varieties of
contrast | 00:34 | $ 0.06 | USD | |
| | 18 | More variation: pitch rises; violins joined frist by the
clarinet, then by the oboe | 00:19 | $ 0.03 | USD | |
| | 19 | Return to opening idea, but with new instrumentation and
articulation | 00:25 | $ 0.04 | USD | |
| | 20 | Clarinets, horns, bassoons and flutes now join expansive
variation | 00:49 | $ 0.08 | USD | |
| | 21 | 'New' insistent rhythm derived from the first four notes of
the piece | 00:09 | $ 0.02 | USD | |
| | 22 | With the dawn chorus, a whole forest is waking up; feelings
of rapture | 00:36 | $ 0.06 | USD | |
| | 23 | First violins play a derivative of the opening figure,
joined by wind and strings | 00:32 | $ 0.05 | USD | |
| | 24 | Sudden change of key, from the home key (tonic) to the
dominant | 00:30 | $ 0.05 | USD | |
| | 25 | Arrival at the hightly contrasting second main theme | 00:55 | $ 0.09 | USD | |
| | 26 | Unusual properties of second main theme | 02:15 | $ 0.23 | USD | |
| | 27 | Rhythmic clash between simultaneous groups of three beats
and groups of two | 01:09 | $ 0.12 | USD | |
| | 28 | winds fall selent as the violins and violas interrupt with a
new theme | 00:30 | $ 0.05 | USD | |
| | 29 | Winds answer with the same morse-like rhythm but at half the
speed | 00:51 | $ 0.09 | USD | |
| | 30 | Crescendo leads to strings' acceleration of the pace with no
increase in tempo | 01:05 | $ 0.11 | USD | |
| | 31 | Beginning of coda, directly based on morse-like rhythm of
the main theme | 00:22 | $ 0.04 | USD | |
| | 32 | Strings reiterate small fragment of the new theme 13 times
in a row | 00:48 | $ 0.08 | USD | |
| | 33 | A simple, rising violin phrase leads to a repeat of the
Exposition | 00:18 | $ 0.03 | USD | |
| | 34 | The nature and function of the Development section in sonata
form; 'harmonic' rhythm explained | 02:22 | $ 0.24 | USD | |
| | 35 | The nature of harmonic rhythm illustrated | 00:35 | $ 0.06 | USD | |
| | 36 | A typically Beethovenian exercise in the frustration of
expectation | 00:38 | $ 0.06 | USD | |
| | 37 | Repetitiousness and magic effected largely through
instrumental colour | 00:42 | $ 0.07 | USD | |
| | 38 | Then come four, almost identical bars | 00:08 | $ 0.01 | USD | |
| | 39 | Even greater magic, with sudden switch of key and tone
colour | 00:28 | $ 0.05 | USD | |
| | 40 | Entire Development section up to this point | 01:55 | $ 0.19 | USD | |
| | 41 | The Development continued | 01:23 | $ 0.14 | USD | |
| | 42 | Increased unease and suspense as harmonic rhythm accelerates | 02:03 | $ 0.21 | USD | |
| | 43 | Arrival at the point of Recapitulation; back to the
beginning, as a reminder | 01:50 | $ 0.18 | USD | |
| | 44 | Beginning of Recapitulation | 00:50 | $ 0.08 | USD | |
| | 45 | More Beethovenian frustrations of expectations which he
himself has just set up | 01:01 | $ 0.10 | USD | |
| | 46 | Harmonic rhythm speeds up, giving the impression of an
accent on every beat | 00:34 | $ 0.06 | USD | |
| | 47 | Prevailing mood restored; new theme from clarinets and
bassoons | 00:28 | $ 0.05 | USD | |
| | 48 | Violins and violas take up theme; horns, cellos,
double-basses accompany | 00:48 | $ 0.08 | USD | |
| | 49 | A hush falls, followed by a return of the movement's most
familiar tag in strings | 00:58 | $ 0.10 | USD | |
| | 50 | Clarinet takes up the running triplet figures of the main
closing theme | 00:32 | $ 0.05 | USD | |
| | 51 | First violins take up the opening phrase again, accompanied
by double-basses | 00:37 | $ 0.06 | USD | |
| | 52 | Beethoven slips in one last surprise; cue to complete
movement | 00:59 | $ 0.10 | USD | |
| | 53 | First movement (complete) | 11:01 | $ 1.10 | USD | |
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| | Composer: Siepmann, Jeremy, Beethoven, Ludwig van |
| | Second Movement: Scene by the Brook | 38:09 | |
| | 54 | General introduction; the birth of a melody | 01:59 | $ 0.20 | USD | |
| | 55 | Brook music quickens; syncopated horns; theme changes hands;
evocation of birdsong | 01:19 | $ 0.13 | USD | |
| | 56 | The 'motto' theme introduced by violins and treated to
round-like overlappings | 00:52 | $ 0.09 | USD | |
| | 57 | Transitional 'bridge' theme sets off for new key group. But
is it? And does it? | 00:39 | $ 0.07 | USD | |
| | 58 | Will he, or won't he? Beethoven keeps us guessing | 01:09 | $ 0.12 | USD | |
| | 59 | The run-up to the Second Group | 01:14 | $ 0.12 | USD | |
| | 60 | Arrival at the Second Group; but where is the actual Second
Subject? | 00:39 | $ 0.07 | USD | |
| | 61 | A new tune is introduced by the bassoon | 00:38 | $ 0.06 | USD | |
| | 62 | Tune is repeated three times | 01:00 | $ 0.10 | USD | |
| | 63 | ...which the full orchestra now takes up in varied form | 00:45 | $ 0.08 | USD | |
| | 64 | Theme carried by flutes and first violins in a charmingly
waltz-like development | 00:48 | $ 0.08 | USD | |
| | 65 | A reminder of precedent | 00:14 | $ 0.02 | USD | |
| | 66 | Back to the prevailing triple-metre with violins, bassoons
and flutes | 00:16 | $ 0.03 | USD | |
| | 67 | Another reminder of precedent... | 00:16 | $ 0.03 | USD | |
| | 68 | ...and a cue to some unexpected departures | 00:38 | $ 0.06 | USD | |
| | 69 | The transformational magic of Beethoven's 'tone-painting' -
and a new varation | 00:50 | $ 0.08 | USD | |
| | 70 | Conversation of clarinet, flute and oboe on the way to the
Development | 00:43 | $ 0.07 | USD | |
| | 71 | Harmonic movement emphasised by violins; oboe takes up the
First Subject | 00:38 | $ 0.06 | USD | |
| | 72 | Flute and oboe discuss the First Subject, before arriving
together at the Transition | 01:04 | $ 0.11 | USD | |
| | 73 | Gains in volume and intensity lead to a new key-change | 00:47 | $ 0.08 | USD | |
| | 74 | More thematic transformation through the agency of
tone-colour | 01:11 | $ 0.12 | USD | |
| | 75 | Harmonic fluideity - instability - as the central engine of
the Development section | 01:40 | $ 0.17 | USD | |
| | 76 | Harmonic instability, thematic dissolution increase, then
lessen with approach of Recapitulation | 01:41 | $ 0.17 | USD | |
| | 77 | Recap. and transformation: key and material are right, but
what a change of presentation! | 01:29 | $ 0.15 | USD | |
| | 78 | Just when we know what's coming, Beethoven changes the rules
(or at least the harmony) | 00:53 | $ 0.09 | USD | |
| | 79 | Transformation by reorchestration; switch to long sustained
chords; then everything stops | 01:20 | $ 0.13 | USD | |
| | 80 | The silence is broken by voices of nightingale (flute),
quail (oboe) and cuckoo (clarinet) | 00:40 | $ 0.07 | USD | |
| | 81 | First violins bring back motto theme | 00:12 | $ 0.02 | USD | |
| | 82 | Cue to complete movement on CD 2 | 00:32 | $ 0.05 | USD | |
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